"I think my first impression (of Bix Beiderbecke) was the lasting one. I remember very clearly thinking, 'Where, what planet, did this guy come from? Is he from outer space?' I’d never heard anything like the way he played—not in Chicago, no place. The tone—he had this wonderful, ringing cornet tone. He could have played in a symphony orchestra with that tone. But also the intervals he played, the figures—whatever the hell he did. There was a refinement about his playing. You know, in those days I played a little trumpet, and I could play all the solos from his records, by heart." - Benny Goodman
source: Interview with American Heritage Magazine (Oct/Nov, 1981)
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