Sometimes I found myself playing, and turning over to my left, and I would see Miles Davis standing there, looking to see what was happening. I got a call to come down to this recording session. I walked into the studio and saw all of these musicians. Everybody knew it was going to be a monumental session -- it turned out to be Bitches Brew. Most of the songs we'd done were first and second takes. Miles counted off one particular tune. I was playing percussion, and somehow or another it didn't gel. Lenny White and Jack DeJohnette were both playing drums. He counted it off a second time, and it didn't gel. I couldn't take it any longer. I had been practicing this one rhythm that I had gotten from a drummer, and I knew it was perfect for what he was playing. I just kind of just took it upon myself to say, "Miles, I've got this rhythm." He said, [raspy Miles Davis voice] "Well, just go play it." I played it, and he said, [raspy] "Show Jack." It's one of these kinds of rhythms that doesn't require a bunch of technique. An accomplished drummer like DeJohnette probably had no problem doing it, but at that moment it was a little hard to get. He just said, [raspy] "Stay there." So I got a chance to play drums on that." - Don Alias
source: digitalinterviews.com
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